I recently remarked to a friend that Jules Verne's "adventures" tend to be rather anticlimatic.
I have, of course, only three of their number to reference. Around the World in Eighty Days (henceforth 80 Days), Twenty Thousand Leagues Under the Sea (henceforth 20000), and Journey to the Centre of the Earth (henceforth Journey).
Showing posts with label Thoughts. Show all posts
Showing posts with label Thoughts. Show all posts
Saturday, 14 July 2012
Monday, 2 July 2012
A submarine and subtextual adventure.
First impressions of Twenty Thousand Leagues Under the Sea. (Verne, J., 1870. Translated by Allen P.S., 1922)
In my first reading, I went in without any preliminary research, and had no idea what to expect.
As I traversed the chapters, it seemed to me much more of a travel log than something with substantial plot. Often, when the narration went for large stretches describing the local wildlife instead of furthering the plot, I grew impatient. Verne's attention to scientific and technical detail was impressive, but uninteresting.
In my first reading, I went in without any preliminary research, and had no idea what to expect.
As I traversed the chapters, it seemed to me much more of a travel log than something with substantial plot. Often, when the narration went for large stretches describing the local wildlife instead of furthering the plot, I grew impatient. Verne's attention to scientific and technical detail was impressive, but uninteresting.
Sunday, 1 July 2012
Ned Land needs land
Twenty Thousand Leagues Under the Sea (Verne, Jules)
Part II, Chapter VIII, Vigo Bay
Comments:
Ned Land needs land. Intentional pun, surely.
Part II, Chapter VIII, Vigo Bay
Comments:
Ned Land needs land. Intentional pun, surely.
Monday, 9 April 2012
Looking deeper into the allusions in _A Streetcar Named Desire_
The many allusions Tennessee Williams uses in (Streetcar) are incredibly meaningful. In particular, I want to explore the following three in more detail: "My Rosenkavalier!", "la Dame aux Camellias!" and "Wien, nur du allein."
Tuesday, 7 February 2012
The character Stanley in _A Streetcar Named Desire_. Not so inhuman?
Just a little follow-up to my previous post about the _Streetcar_ characters. (http://literatureeh.blogspot.com/2012/01/thoughts-on-characters-of-tennessee.html)
At the end of scene 11, right after Blanche has been taken away, this happens:
At the end of scene 11, right after Blanche has been taken away, this happens:
Stella: Blanche! Blanche! Blanche!
…
[… Eunice descends to Stella and places the child in her arms. … Stella accepts the child, sobbingly. … Stanley has gone out on the porch and stands at the foot of the steps looking at Stella.]
Monday, 30 January 2012
Thoughts on the characters of Tennessee Williams' _A Streetcar Named Desire_
Author's note: Wow. Haven't been here in a long time... I should pick it up again...
Blanche has a dream. She wants a new life. She wants to
escape from her past. She want to succeed in this last bid for
happiness. But Stanley and Stella have their own lives! Their own
dreams! They just want to live happily together, raise their baby,
indulge in the normal passions of a young couple and have fun with
friends like Steve and Eunice! Everything was fine!
Why does Blanche have to intrude? -That's what she is! An intruder! She's not the only one who's struggling. In case she failed to notice (which she did), the Kowalski's aren't rich. Sure, you should be able to rely on the kindness of family, and Stanley was in no way right in his disposal of her, but I definitely don't begrudge him his hostility toward Blanche.
Why does Blanche have to intrude? -That's what she is! An intruder! She's not the only one who's struggling. In case she failed to notice (which she did), the Kowalski's aren't rich. Sure, you should be able to rely on the kindness of family, and Stanley was in no way right in his disposal of her, but I definitely don't begrudge him his hostility toward Blanche.
Subscribe to:
Posts (Atom)